An enthralling story of one woman’s determined grab for freedom after WW2 from a talented new Australian voice.
‘PART CABARET, PART BURLESQUE, AND LIKE NOTHING YOU’VE EVER SEEN BEFORE! GENTLEMEN, AND LADIES IF YOU’VE DARED TO COME, WELCOME TO …
1945: After the thrill and danger of volunteering in an all-female searchlight regiment protecting Londoners from German bombers overhead, Evelyn Bell is secretly dismayed to be sent back to her rigid domestic life when the war is over. But then she comes across a secret night-time show, hidden from the law on a boat in the middle of the Thames. Entranced by the risqué and lively performance, she grabs the opportunity to join the misfit crew and escape her dreary future.
At first the Victory travels from port to port to raucous applause, but as the shows get bigger and bigger, so too do the risks the performers are driven to take, as well as the growing emotional complications among the crew. Until one desperate night …
1963: Lucy, an unloved and unwanted little girl, is rescued by a mysterious stranger who says he knows her mother. On the Isle of Wight, Lucy is welcomed into an eclectic family of ex-performers. She is showered with kindness and love, but gradually it becomes clear that there are secrets they refuse to share. Who is Evelyn Bell?
PRAISE FOR KERRI TURNER
‘Beautiful, daring, deceptive and surprising.’The Australian Women’s Weekly
‘An impressive debut … one of the strengths of the novel is the tapestry it creates of everyday life in an era of great turbulence.’Queensland Times
Nana, a cat, is devoted to Satoru, his owner. So when Satoru decides to go on a roadtrip one day to find him a new home, Nana is perplexed. They visit Satoru’s old friends from his school days and early youth. His friends may have untidy emotional lives but they are all animal lovers, and they also wonder why Satoru is trying to give his beloved cat away. Until the day Nana suddenly understands a long-held secret about his much-loved owner, and his heart begins to break.
Narrated in turns by Nana and by his owner, this funny, uplifting, heartrending story of a cat is nothing if not profoundly human.
“It’s not the journey that counts, but who is by your side”
A book about love, kindness, and a man and his cat’s heartwarming journey around Japan. The Travelling Cat Chronicles by Hiro Arikawa, translated by Philip Gabriel, is a beautiful Japanese translation that will stay with you long after you have finished reading. A must read for all cat lovers.
Nana is a stray cat and is very proud of his street smarts until Satoru discovers him sleeping on his silver van and and begins to feed him tasty treats. Nana soon comes to trust Satoru with his life and decides that he will stay with him, even when Satoru tells him that they must leave their home to find a new person to care for Nana.
Nana doesn’t mind travelling in the silver van, he is happy anywhere as long as he is with Satoru. He also makes sure to cause problems in each of the old school friends homes they visit so that he is able to continue his travels with Satoru.
I loved this book and I loved the idea and execution of Nana narrating parts of the story. All cat slaves will recognise Nana’s sarcastic sense of humour, his judgmental attitude, his attraction to warm objects and old cardboard boxes, and his unwavering belief that he is superior to every animal he meets, especially humans.
The Travelling Cat Chronicles does have an enormously sad ending, but it is one of those special kind of sad endings that is beautiful, heartwarming, and worth all the tears. I honestly can’t remember the last book that had me sobbing like this one did, but I would still read it again and recommend it to anybody who has loved a cat and knows that their cat/s loved them back.
One hundred and fifteen years ago, a mysterious virus wiped out ninety-five per cent of humanity.
Blackthorn, the largest settlement in England, rose from the ashes of the devastated old world. It is a troubled city, where the workers live in crude shacks, and make do with the worst of everything.
It is a city of violent divisions, crime, and an over-populated jail block―until a charismatic traveller has a miraculous vision and promises to bring hope back to the people’s lives.
Blackthorn falls under Ryder Swift’s spell, and the most devoted of all is the governor’s loyal servant, Lieutenant August Hemsley.
Twenty-one-year-old Evie has lived her whole life in the shacks. She and disillusioned guard Byron Lewis are two of a minority who have doubts about Ryder’s message. Can they stand against the beliefs of an entire city?
Blackthorn by Terry Tyler is a fascinating addition to the brilliant post-apocalyptic Project Renova universe. It examines what happens when religion is re-introduced to civilisation by a handsome and charismatic traveller generations after life as we know it has been wiped out by the ‘bat fever’ virus.
Blackthorn is a very character driven novel and is told from the first person perspectives of three main characters who come from all walks of life in the new world. Evie is one of the working class “Shackers”, Byron is a guard, and Lieutenant Hemsley is very close to Governor Wolf North.
I loved how each character had their own distinct voice and the multiple POV really allows the reader the get to know all of the characters better, as it allows you to see them through the eyes of the characters too.
Although Blackthorn is part of the Project Renova universe, with many of the characters descending from people we have met in earlier novels, it can easily be read as a stand alone novel. I did enjoy finding out how the characters in Blackthorn were connected to characters from earlier novels, and it was deeply satisfying to be able see how some things played out so many years later.
Thrilling Aussie noir. The Accusation by Wendy James will keep you guessing until the very end!
When Ellie Canning is found on the side of the road in a small country town her story explodes on the news and social media. Ellie is a young attractive blonde, and her story about being kidnapped and held hostage by two crazy women is fascinating.
At first it seems ridiculous when the local teacher, newcomer Suzannah Wells, is accused of kidnapping Ellie, but as the evidence begins to pile and things quickly begin to unravel, it suddenly doesn’t seem so unlikely.
I flip-flopped the entire way through this novel. Sometimes it seemed as though Ellie had to be telling the truth, sometimes it seemed impossible that it could have been kind Suzannah who had abruptly put life on hold to care for her elderly mother with dementia. I genuinely had no idea what the truth was until the very end.
I also really enjoyed the media/social media aspect of this novel. Wendy James has done a fantastic job at highlighting how things can be distorted by the media and will make you question everything you see online.
Eighteen-year-old Ellie Canning is found shivering and barely conscious on a country road, clad only in ill-fitting pyjamas. Her story of kidnap and escape quickly enthrals the nation: a middle-aged woman with a crazy old mother has held Ellie in a basement, chained her to a bed and given her drinks from an old baby’s sippy cup. But who was this woman and what did she want with Ellie? And what other secrets might she hide?
When the accusation is levelled at local teacher Suzannah Wells, no one seems more bewildered than Suzannah herself … to start with. The preposterous charge becomes manifestly more real as she loses her job and her friends. And the evidence is strong: a dementia-affected mother, a house with a basement, a sippy cup that belonged to her long-dead daughter. And Ellie Canning’s DNA everywhere. As stories about Susannah’s past emerge, even those closest to her begin to doubt she’s innocent.
And Ellie? The media can’t get enough of her. She’s a girl-power icon, a social-media star. But is she telling the truth?
A powerful exploration of the fragility of trust, and the power of suggestion, from the author of The Golden Child and The Mistake.
PRAISE FOR THE GOLDEN CHILD
‘The novel is cleverly constructed, the characters are extremely well-drawn, the use of social media as a plot device is very sophisticated, and the resolution is a genuine surprise’ Judges’ report, Ned Kelly Crime Awards, 2017
‘This is domestic noir at its most intelligent and sharp’ Sydney Morning Herald
‘It takes 48 hours to pulse through Wendy James’ rollercoaster 21st century story about parenting’ Australian Women’s Weekly
‘an engaging and intimate read that will appeal to fans of Liane Moriarty and Jodi Picoult, with nods to Lionel Shriver and Christos Tsiolkas’ The Slap . . . 4 Stars’ Books & Publishing
I have been in a bit of a blogging slump lately. Luckily, I have had the brilliantly atmospheric second novel of the Cormac Reilly crime thriller series THE SCHOLAR by Derva McTiernan to drag me out of my reading and blogging slump!
“Being brilliant has never been so dangerous”
Paperback: 377 pages
Published: February 18th 2019 by HarperCollins – AU
“When DS Cormac Reilly’s girlfriend Emma stumbles across the victim of a hit and run early one morning, he is first on the scene of a murder that would otherwise never have been assigned to him. The dead girl is carrying an ID, that of Carline Darcy, heir apparent to Darcy Therapeutics, Ireland’s most successful pharmaceutical company. Darcy Therapeutics has a finger in every pie, from sponsoring university research facilities to funding political parties to philanthropy – it has funded Emma’s own
ground-breaking research. The investigation into Carline’s death promises to be high profile and high pressure.
As Cormac investigates, evidence mounts that the death is linked to a Darcy laboratory and, increasingly, to Emma herself. Cormac is sure she couldn’t be involved, but how well does he really know her? After all, this isn’t the first time Emma’s been accused of murder…”
THE SCHOLAR picks up the life of Irish detective Cormac Reilly not long after the ending of the runaway best selling THE RÚIN. Since then, he has moved to Galway with his girlfriend Emma so that she can take up a prestigious job at the Irish pharmaceutical giant Darcey Therapeutics.
Cormac has taken a step backwards in his policing duties which suits him quite well. Despite the boredom and petty office politics he is dealing with, he is quite enjoying living a peaceful life with Emma…until she is accused of committing an unthinkable crime that he is working on. Cormac is forced to question his loyalty to the woman he loves and his own ethics when his work on the case comes under scrutiny.
The setting of Galway University as the scene of the crime was perfectly done and really added to the tense and atmospheric feel of the novel. I love the book cover design, which includes a dark and menacing image of Galway University.
THE SCHOLAR is a page-turning crime thriller that will have you wondering what the truth really is until the very end. We’ve come to know Cormac and Emma so well that it feels like such a huge betrayal when the evidence against Emma begins to mount up and it seems as though Cormac has used his position to protect her. This is a testament to Dervla McTiernan’s excellent character development skills.
I can’t wait to read more about Cormac Reilly. 5 stars!
“A hundred years after the world was devastated by the bat fever virus, the UK is a country of agricultural communities where motherhood is seen as the ideal state for a woman, new beliefs have taken over from old religions, and the city of Blackthorn casts a threatening shadow over the north of England. Legacy travels backwards in time to link up with the characters from Tipping Point, Lindisfarne and UK2.
Seventeen-year-old Bree feels stifled by the restrictions of her village community, but finds a kindred spirit in Silas, a lone traveller searching for his roots. She, too, is looking for answers: the truth behind the mysterious death, forty years earlier, of her grandmother.
In 2050, Phoenix Northam’s one wish is to follow in the footsteps of his father, a great leader respected by all who knew him…or so his mother tells him.
In 2029, on a Danish island, Lottie is homesick for Lindisfarne; two years earlier, Alex Verlander and the kingpins of the Renova group believe they have escaped the second outbreak of bat fever just in time…
Book 4 of the Project Renova series rebuilds a broken country with no central government or law, where life is dangerous and people can simply disappear…but the post-Fall world is also one of possibility, of freedom and hope for the future.”
Project Renova picks up 100 years after the outbreak of the bat virus killed off most of the world’s population. The setting is still in the UK, and the island of Lindsfarne features heavily. Many of the new characters in Legacy are related to people we met in the earlier novels of the series, and they are all impacted in some way by what happened earlier.
The majority of LEGACY is set around 100 years after the deadly bat virus swept across the UK, and the rest of the world. The UK is now an incredibly dangerous place with no central government where survival is never guaranteed, agriculture is essential and time consuming like it was in the past, repopulating the world has become imperative, and new beliefs have taken over.
It made total sense to me that the generations rebuilding after most of the world had been wiped out would become fascinated with nature and I loved how almost everyone had what would be considered “hippy” names.
I love how LEGACY tied up almost all of the loose ends of the PROJECT RENOVA series by traveling backwards in time and that all of the main characters are directly impacted by events that happened earlier in the series. It really gives the entire series a fantastic full-circle kind of flow. I was also glad to see my least favourite charecter, Dex, and my favourite character, Lottie, have their stories tied up so perfectly for very different reasons!
LEGACY is a brilliantly woven conclusion to the fabulous post-apocalyptic PROJECT RENOVA series. I can’t wait to see what Terry Tyler has in store for us next. 5 stars!
Two women, two great betrayals, one path to redemption. A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell.
Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication.
When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.
Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself – questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.
From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.
“Two women, two great betrayals, one path to redemption.”
THE GIRL ON THE PAGE by Australian publishing insider, John Purcell, exposes the seedy underbelly of publishing while pondering the meaning of great literature.
Amy Winston is a hard working and hard partying young editor who made her career launch off the ground by taking an average thriller writer and turning him into a household name. She is given the unenviable task of doing the same for literary giant, Helen Owen.
Helen and her husband, Malcolm Taylor, have been at odds with each other ever since Helen undertook the huge signing bonus to write the novel Amy has been told to edit into the commercial success of the year and moved them out of the tiny flat they had shared and written literary fiction in, even sharing an office, for more than 50 years.
When Amy walks into this complicated situation and agrees to stay at Helen and Malcolm’s flat until the novel is completed she bites off far more than she bargained for and is left to question her career, her principles, and what is the meaning of great literature.
THE GIRL ON THE PAGE was far more deep and meaningful than I expected from all of the buzz surrounding it. I’ve seen/heard a lot of comparisons to the television series “YOUNGER” and while they are similar in how they take us behind the scenes of the publishing industry, I don’t think that comparison really does “THE GIRL ON THE PAGE” justice. There were plenty of gritty sex scenes and a fascinating insider’s view of the publishing industry. John Purcell’s industry insider credentials are very strong, as he is the current Director of Books at Booktopia and owned his own bookshop for many years. I particularly loved the inside joke of the title of both this novel and the fictional “GIRL ON GIRL” novel. It does seem as though every second popular book at the moment has either “girl” or “woman” in the title!
“THE GIRL ON THE PAGE” is far more gritty, fast-paced, and shocking than “YOUNGER”. It will certainly cause you to ask yourself what does great literature mean to you? I particularly loved the final pages where Malcolm discusses what great literature means to him, and couldn’t agree more with his use of Jane Austen’s “EMMA” as an example of great literature.
About the Author
While still in his twenties, John Purcell opened a second-hand bookshop in Mosman, Sydney, in which he sat for ten years reading, ranting and writing.
Since then he has written, under a pseudonym, a series of very successful novels, interviewed hundreds of writers about their work, appeared at writers’ festivals, on TV (most bizarrely in comedian Luke McGregor’s documentary Luke Warm Sex) and has been featured in prominent newspapers and magazines.
Now, as the Director of Books at booktopia.com.au, Australia’s largest online bookseller, he supports Australian writing in all its forms. He lives in Sydney with his wife, two children, three dogs, five cats, unnumbered gold fish and his overlarge book collection.