“A hundred years after the world was devastated by the bat fever virus, the UK is a country of agricultural communities where motherhood is seen as the ideal state for a woman, new beliefs have taken over from old religions, and the city of Blackthorn casts a threatening shadow over the north of England. Legacy travels backwards in time to link up with the characters from Tipping Point, Lindisfarne and UK2.
Seventeen-year-old Bree feels stifled by the restrictions of her village community, but finds a kindred spirit in Silas, a lone traveller searching for his roots. She, too, is looking for answers: the truth behind the mysterious death, forty years earlier, of her grandmother.
In 2050, Phoenix Northam’s one wish is to follow in the footsteps of his father, a great leader respected by all who knew him…or so his mother tells him.
In 2029, on a Danish island, Lottie is homesick for Lindisfarne; two years earlier, Alex Verlander and the kingpins of the Renova group believe they have escaped the second outbreak of bat fever just in time…
Book 4 of the Project Renova series rebuilds a broken country with no central government or law, where life is dangerous and people can simply disappear…but the post-Fall world is also one of possibility, of freedom and hope for the future.”
Project Renova picks up 100 years after the outbreak of the bat virus killed off most of the world’s population. The setting is still in the UK, and the island of Lindsfarne features heavily. Many of the new characters in Legacy are related to people we met in the earlier novels of the series, and they are all impacted in some way by what happened earlier.
The majority of LEGACY is set around 100 years after the deadly bat virus swept across the UK, and the rest of the world. The UK is now an incredibly dangerous place with no central government where survival is never guaranteed, agriculture is essential and time consuming like it was in the past, repopulating the world has become imperative, and new beliefs have taken over.
It made total sense to me that the generations rebuilding after most of the world had been wiped out would become fascinated with nature and I loved how almost everyone had what would be considered “hippy” names.
I love how LEGACY tied up almost all of the loose ends of the PROJECT RENOVA series by traveling backwards in time and that all of the main characters are directly impacted by events that happened earlier in the series. It really gives the entire series a fantastic full-circle kind of flow. I was also glad to see my least favourite charecter, Dex, and my favourite character, Lottie, have their stories tied up so perfectly for very different reasons!
LEGACY is a brilliantly woven conclusion to the fabulous post-apocalyptic PROJECT RENOVA series. I can’t wait to see what Terry Tyler has in store for us next. 5 stars!
Two women, two great betrayals, one path to redemption. A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell.
Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication.
When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.
Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself – questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.
From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.
“Two women, two great betrayals, one path to redemption.”
THE GIRL ON THE PAGE by Australian publishing insider, John Purcell, exposes the seedy underbelly of publishing while pondering the meaning of great literature.
Amy Winston is a hard working and hard partying young editor who made her career launch off the ground by taking an average thriller writer and turning him into a household name. She is given the unenviable task of doing the same for literary giant, Helen Owen.
Helen and her husband, Malcolm Taylor, have been at odds with each other ever since Helen undertook the huge signing bonus to write the novel Amy has been told to edit into the commercial success of the year and moved them out of the tiny flat they had shared and written literary fiction in, even sharing an office, for more than 50 years.
When Amy walks into this complicated situation and agrees to stay at Helen and Malcolm’s flat until the novel is completed she bites off far more than she bargained for and is left to question her career, her principles, and what is the meaning of great literature.
THE GIRL ON THE PAGE was far more deep and meaningful than I expected from all of the buzz surrounding it. I’ve seen/heard a lot of comparisons to the television series “YOUNGER” and while they are similar in how they take us behind the scenes of the publishing industry, I don’t think that comparison really does “THE GIRL ON THE PAGE” justice. There were plenty of gritty sex scenes and a fascinating insider’s view of the publishing industry. John Purcell’s industry insider credentials are very strong, as he is the current Director of Books at Booktopia and owned his own bookshop for many years. I particularly loved the inside joke of the title of both this novel and the fictional “GIRL ON GIRL” novel. It does seem as though every second popular book at the moment has either “girl” or “woman” in the title!
“THE GIRL ON THE PAGE” is far more gritty, fast-paced, and shocking than “YOUNGER”. It will certainly cause you to ask yourself what does great literature mean to you? I particularly loved the final pages where Malcolm discusses what great literature means to him, and couldn’t agree more with his use of Jane Austen’s “EMMA” as an example of great literature.
About the Author
While still in his twenties, John Purcell opened a second-hand bookshop in Mosman, Sydney, in which he sat for ten years reading, ranting and writing.
Since then he has written, under a pseudonym, a series of very successful novels, interviewed hundreds of writers about their work, appeared at writers’ festivals, on TV (most bizarrely in comedian Luke McGregor’s documentary Luke Warm Sex) and has been featured in prominent newspapers and magazines.
Now, as the Director of Books at booktopia.com.au, Australia’s largest online bookseller, he supports Australian writing in all its forms. He lives in Sydney with his wife, two children, three dogs, five cats, unnumbered gold fish and his overlarge book collection.
One crumbling grand manor house, a family in decline, five generations of women, and an attic full of beautiful clothes with secrets and lies hidden in their folds. Kelly Doust, author of Precious Things, spins another warm, glamorous and romantic mystery of secrets, love, fashion, families – and how we have to trust in ourselves, even in our darkest of days. One for lovers of Kate Morton, Belinda Alexandra, Fiona McIntosh and Lucy Foley. Failed fashion designer Sylvie Dearlove is coming home to England – broke, ashamed and in disgrace – only to be told her parents are finally selling their once-grand, now crumbling country house, Bledesford, the ancestral home of the Dearlove family for countless generations. Sylvie has spent her whole life trying to escape being a Dearlove, and the pressure of belonging to a family of such headstrong, charismatic and successful women. Beset by self-doubt, she starts helping her parents prepare Bledesford for sale, when she finds in a forgotten attic a thrilling cache of old steamer trunks and tea chests full of elaborate dresses and accessories acquired from across the globe by five generations of fashionable Dearlove women. Sifting through the past, she also stumbles across a secret which has been hidden – in plain sight – for decades, a secret that will change the way she thinks about herself, her family, and her future.Romantic, warm, and glamorous, moving from Edwardian England to the London Blitz to present day London, Dressing the Dearloves is a story of corrosiveness of family secrets, the insecurities that can sabotage our best efforts, and the seductive power of dressing up.
Published August 20th 2018 by HarperCollins
ISBN 1460705645 (ISBN13: 9781460705643)
RRP $16.99 AU (Kindle) $26.99 AU (paperback)
Fabulous multi-generational fashion themed family saga! DRESSING THE DEARLOVES the second fashion themed novel by Australian author Kelly Doust, and you can really tell that she has a great love for vintage fashion and the stories they hold.
Sylvie Dearlove failed spectacularly in the cut-throat New York fashion design world. With her company bankrupt and her reputation in tatters she has no choice but to return to her family’s upper crust ancestral home in the English countryside. She is shocked to discover that Bledesford is even more run down than she remembered, her grandmother and family matriarch, Lizzie, is terribly ill and her parents seem to have no choice but to sell up and make way for boring and generic sub-divisions.
While helping her parents clean out the overflowing attic with the help of her best uni girlfriends Sylvie discovers more than just the high fashion of five generations of her enigmatic and successful female ancestors. She also stumbles across a shocking family secret that changes the way she feels about her family, what it means to be a Dearlove, and will alter her future plans irrevocably.
I loved the way that Doust tied the stories of the Dearlove ladies in with their clothing. I think it’s so true that the clothes we wear for special occasions do hold onto our stories and the way Doust writes about vintage fashion with such love is a wonderful reminder of the power of dressing up. 5 stars!
About the Author
Kelly Doust is author of the novels Dressing the Dearloves (September 2018) and Precious Things, both published by HarperCollins. Also A Life in Frocks, vintage fashion bible Minxy Vintage: how to customise & wear vintage clothing and The Crafty Minx series of craft books.
With a background in book publishing and publicity, Kelly has worked in the UK, Hong Kong and Australia, and has freelanced for Vogue, Australian Women’s Weekly and Sunday Life Magazine. She lives in Sydney with her husband and daughter, and works as a Lifestyle Publisher for Murdoch Books.
1948. The world is struggling to regain a sense of balance after the devastation of World War II, and the sugar cane-growing community of Piri River in northern Queensland is no exception.
As returned servicemen endeavour to adjust to their pre-war lives, women who had worked for the war effort are expected to embrace traditional roles once more.
Rosie Stanton finds it difficult to return to the family farm after years working for the Australian Women’s Army Service. Reminders are everywhere of the brothers she lost in the war and she is unable to understand her father’s contempt for Italians, especially the Conti family next door. When her father takes ill, Rosie challenges tradition by managing the farm, but outside influences are determined to see her fail.
Desperate to leave his turbulent history behind, Tomas Conti has left Italy to join his family in Piri River. Tomas struggles to adapt in Australia—until he meets Rosie. Her easy-going nature and positive outlook help him forget the life he’s escaped. But as their relationship grows, so do tensions between the two families until the situation becomes explosive.
When a long-hidden family secret is discovered and Tomas’s mysterious past is revealed, everything Rosie believes is shattered. Will she risk all to rebuild her family or will she lose the only man she’s ever loved?
Set in the northern Queensland sugar cane fields in 1948 BURNING FIELDS by Alli Sinclair beautifully tells the love story of Rosie Stanton and Tomas Conti. Rosie is struggling to settle back into to life in Australia after serving during World War II, and trying to convince her father to allow her to help out on the family sugar cane field is next to impossible. Tomas is trying to become accustomed to life in Australia after suffering through Mussolini’s terror of Italy and Tomas’ hometown of Sicily.
I fell in love with Tomas from the very first chapter! He was perfectly mysterious but also gentlemanly and kind, just like I imagine many Italian men of his era to be. I could also very well relate to Rosie and her frustration at being expected to fall back into the sexist role expected of females in Australia back then after working so hard during the war. Post-war Australia really is a fascinating period of history, and I think Sinclair has perfectly captured many of the issues everyday Australians and immigrants faced during that time. 5 stars!
An adventurer at heart, Alli Sinclair is a multi-award winning author who has lived in Argentina, Peru, and Canada. She’s climbed some of the world’s highest mountains, worked as a tour guide in South and Central America, and has travelled the globe, immersing herself in array of exotic destinations, cultures, and languages. Australia has always been close to Alli’s heart as she loves the diverse landscapes and the rich multicultural heritage of this wonderful land.
Alli’s books explore history, culture, love and grief, and relationships between family, friends and lovers. She captures the romance and thrill of discovering old and new worlds, and loves taking readers on a journey of discovery.
From Robyn Cadwallader, author of the internationally acclaimed novel The Anchoress, comes a deeply profound and moving novel of the importance of creativity and the power of connection, told through the story of the commissioning of a gorgeously decorated medieval manuscript, a Book of Hours.
London, 1321: In a small stationer’s shop in Paternoster Row, three people are drawn together around the creation of a magnificent book, an illuminated manuscript of prayers, a Book of Hours. Even though the commission seems to answer the aspirations of each one of them, their own desires and ambitions threaten its completion. As each struggles to see the book come into being, it will change everything they have understood about their place in the world. In many ways, this is a story about power – it is also a novel about the place of women in the roiling and turbulent world of the early fourteenth century; what power they have, how they wield it, and just how temporary and conditional it is.
Rich, deep, sensuous and full of life, Book of Colours is also, most movingly, a profoundly beautiful story about creativity and connection, and our instinctive need to understand our world and communicate with others through the pages of a book.
Praise for The Anchoress:
‘So beautiful, so rich, so strange, unexpected and thoughtful – also suspenseful. I loved this book.’ Elizabeth Gilbert, author of Eat, Pray, Love
‘Affecting … finely drawn … a considerable achievement.’ Sarah Dunant, New York Times
‘Elegant and eloquent’ Irish Mail
‘Cadwallader’s writing evokes a heightened attention to the senses: you might never read a novel so sensuous yet unconcerned with romantic love. For this alone it is worth seeking out. But also because The Anchoress achieves what every historical novel attempts: reimagining the past while opening a new window – like a squint, perhaps – to our present lives.’ Sydney Morning Herald
‘A novel of page-turning grace’ Newtown Review of Books
“Let all of life be there in the book”
BOOK OF COLOURS by Australian author Robyn Cadwallader is set in medieval London and covers the fascinating history of some of the first book makers. Back then they were called “illuminators” or “limners” and books were beautifully illustrated prayer books. Not much is known about the limners of this time, but Cadwallader has combined a great deal of historical research and imagination to tell the story of the creation one of these intricate prayer books through the eyes of the limners who created it and the noble lady who commissioned it.
Cadwallader drew inspiration from medieval prayer books such as the one pictured below. The “Neville of Hornby Hours” was created in London around 1325-1375 and can be viewed at theBritish Library website.
Interspersed throughout the novel are fascinating details about how the limners of medieval times created their masterpieces. This is told through Gemma’s story. She is the wife of John Dancaster, master illuminator, but she is just as talented as he is. She is unable to claim her work as her own due to the sexist attitudes of the times, but her skill and love of illuminating becomes evident through the book she decides to write, “The Art of Illumination” and as the story unfolds.
BOOK OF COLOURS took me a long time to read (more than a week!) but it was definitely worth the long reading time. The amount of historical information and the way all of the story lines tied in together deserved to be lingered over. At first I was a bit disappointed by the ending but after reflecting on it for a little while I think it was fitting. Medieval times were grim, even for noble families, so it feels right that there wasn’t a big happy ending for this story. 5 stars!
Thank you HarperCollins Publishers for providing me with a review copy.
ABOUT THE AUTHOR
Robyn Cadwallader lives among vineyards in the countryside outside Canberra. She has written poetry, short stories and a non-fiction book. Her first novel, The Anchoress, was published in Australia, the UK, the United States and France.
Reeling from a catalogue of disasters, flaky sleuth Amy travels to Prague to help an old man recover a Picasso painting last seen in 1939. It seems like a mundane assignment, but the stakes are far higher than Amy imagines. Competing forces have vested interests, and are prepared to kill to meet their goals. Caught amid a tangle of lies, with her credibility in question and her life on the line, could Amy’s craziness be her salvation…?
The third book of the Crazy Amy series takes us on a wild and crazy trip to Prague. Amy pairs up with an unlikely companion, George Smithies father of her former arch-nemesis Ed, to help him find a Picasso painting lost by his family in World War II. Of course, things are never as straight forward as they first appear for socially clueless Amy, and she gets caught up in far more than she bargained for in her search for the painting.
I loved Restitution just as much asConcealmentand Exposure and I really do have a soft spot for Amy despite her crazy ways. I think she is slowly starting to become a little bit more self-aware than in the first two novels. Although, even when she does try to plan ahead and make adjustments for her terrible lack of judgement things still do tend to backfire on her spectacularly.
Restitution was another brilliantly twisty and turner thriller from Rose Edmunds and I loved the background of beautiful Prague this time. I’m looking forward to the next installment!
About the Author
After a successful career advising entrepreneurial businesses, Rose jumped off the corporate hamster wheel and began writing thrillers inspired by her experiences. Her books have a strong ethical theme, and shine a light on the moral challenges presented by capitalism. Typically her protagonists are just as flawed as the villains, if not more so…
Rose’s debut thriller, Never Say Sorry, was about a Big Pharma conspiracy to suppress a cancer cure. Since then, she has been working on the Crazy Amy thriller series—an ambitious project which will follow Amy Robinson on her journey from senior finance executive to who knows where…
The first trilogy is now available on Amazon, with further books planned for 2019 and beyond.
Whatever happens, don’t tell anyone what you did to Bee Larkham…
Jasper is not ordinary. In fact, he would say he is extraordinary…
Synaesthesia paints the sounds of his world in a kaleidoscope of colours that no one else can see. But on Friday, he discovered a new colour – the colour of murder.
He’s sure something has happened to his neighbour, Bee Larkham, but no-one else seems to be taking it as seriously as they should be. The knife and the screams are all mixed up in his head and he’s scared that he can’t quite remember anything clearly.
But where is Bee? Why hasn’t she come home yet? Jasper must uncover the truth about that night – including his own role in what happened…
I was hooked from the opening line of THE COLOUR OF BEE LARKHAM’S MURDER!
“Bee Larkham’s murder was ice blue crystal’s with glittery edges and jagged, silver icicles”
Jasper is an extraordinary 13 year old boy who has Synaesthesia which means that he sees the sounds as colours. It also means that he is unable to recognise faces, not even his parents or the school bullies who give him a hard time almost every day. Ever since Jasper’s mother, who also had Synaesthesia, passed away Jasper and his father have been struggling to cope.
When Bee Larkham moves into Jasper’s street he is first drawn to her because the colour he sees when she speaks is so similar to his mother and she allows him to paint the neighbourhood parakeets and the beautiful colours they make for Jasper from her bedroom window.
When Bee Larkham mysteriously disappears Jasper is certain that something terrible happened to her and he and his father had something to do with it, but nobody seems to be taking her disappearance seriously.
I found the idea of a crime/mystery novel through the eyes of a teenager with Synaesthesia a fascinating concept. Because Jasper is unable to recognise faces, he is an incredibly unreliable witness. He struggles to convince his father or the police to listen to his fears about Bee Larkham and we are left wondering right up to the end about what really happened. Sarah J. Harris has done a brilliant job of senstively writing from Jasper’s perspective. I learned a lot about Synaesthesia while enjoying the “whodunnit” and aspect of the novel.
About the Author
I’m an author and freelance education journalist, writing for national newspapers.
The Colour of Bee Larkham’s Murder is my first adult novel and was published by HarperCollins in May 2018 and will be published by Touchstone Books in the United States in June 2018, with other countries including Spain, Portugal, Hungary, Turkey, China and the Czech Republic to follow.
I have three YA books published by Scholastic under the Jessica Cole: Model Spy series. Code Red Lipstick, Fashion Assassin and Catwalk Criminal are written under a pen name, Sarah Sky, and also published in Germany.
I grew up in Sutton Coldfield, West Midlands, and studied English at Nottingham University before gaining a post-graduate diploma in journalism at Cardiff University.
I trained as a journalist at the Western Daily Press in Bristol, where my highlight was interviewing screen legend Charlton Heston and my low point was being sneezed on by a cow at a fatstock competition.
I enjoy martial arts – I’m a black belt in karate and a green belt in kick-boxing. I live in London with my husband and two young sons.