“A hundred years after the world was devastated by the bat fever virus, the UK is a country of agricultural communities where motherhood is seen as the ideal state for a woman, new beliefs have taken over from old religions, and the city of Blackthorn casts a threatening shadow over the north of England. Legacy travels backwards in time to link up with the characters from Tipping Point, Lindisfarne and UK2.
Seventeen-year-old Bree feels stifled by the restrictions of her village community, but finds a kindred spirit in Silas, a lone traveller searching for his roots. She, too, is looking for answers: the truth behind the mysterious death, forty years earlier, of her grandmother.
In 2050, Phoenix Northam’s one wish is to follow in the footsteps of his father, a great leader respected by all who knew him…or so his mother tells him.
In 2029, on a Danish island, Lottie is homesick for Lindisfarne; two years earlier, Alex Verlander and the kingpins of the Renova group believe they have escaped the second outbreak of bat fever just in time…
Book 4 of the Project Renova series rebuilds a broken country with no central government or law, where life is dangerous and people can simply disappear…but the post-Fall world is also one of possibility, of freedom and hope for the future.”
Project Renova picks up 100 years after the outbreak of the bat virus killed off most of the world’s population. The setting is still in the UK, and the island of Lindsfarne features heavily. Many of the new characters in Legacy are related to people we met in the earlier novels of the series, and they are all impacted in some way by what happened earlier.
The majority of LEGACY is set around 100 years after the deadly bat virus swept across the UK, and the rest of the world. The UK is now an incredibly dangerous place with no central government where survival is never guaranteed, agriculture is essential and time consuming like it was in the past, repopulating the world has become imperative, and new beliefs have taken over.
It made total sense to me that the generations rebuilding after most of the world had been wiped out would become fascinated with nature and I loved how almost everyone had what would be considered “hippy” names.
I love how LEGACY tied up almost all of the loose ends of the PROJECT RENOVA series by traveling backwards in time and that all of the main characters are directly impacted by events that happened earlier in the series. It really gives the entire series a fantastic full-circle kind of flow. I was also glad to see my least favourite charecter, Dex, and my favourite character, Lottie, have their stories tied up so perfectly for very different reasons!
LEGACY is a brilliantly woven conclusion to the fabulous post-apocalyptic PROJECT RENOVA series. I can’t wait to see what Terry Tyler has in store for us next. 5 stars!
I’ve been hoarding my beautiful Vintage Classic edition of SENSE AND SENSIBILITY for some time, so I was excited to make the time to revisit an old favourite during my month of selfish reading.
I was giving the gentlest of nudges to hurry up and get reading by the brilliant author of THE GIRL ON THE PAGE,John Purcell, who reminded me of the universality of Jane Austen’s novels in his bestselling debut. We have since bonded on Twitter over our mutual agreement that there is no problem in the world that can’t be made better by curling up my favourite classic author.
“I do not attempt to deny,” said she, “that I think very highly of him – that I greatly esteem, that I like him.”
Paperback, 444 pages
Published: June 26th 2014 by Vintage Classics (first published October 30th 1811)
“Elinor is as prudent as her sister Marianne is impetuous. Each must learn from the other after they are they are forced by their father’s death to leave their home and enter into the contests of polite society. The charms of unsuitable men and the schemes of rival ladies mean that their paths to success are thwart with disappointment but together they attempt to find a way to happiness.”
It’s been years since I read SENSE AND SENSIBILITY, or any of Jane Austen’s novels, and it felt just like catching up with a good friend. Austen’s debut novel tells the story of two sisters, Marianne and Elinor Dashwood, who are about as different as two sisters can be.
Marianne is the youngest and has the very strong opinions commonly found in teenagers. She is convinced that her future husband will love all the same things as she does, will sweep her off her feet in a whirlwind romance, and that it is only possible to truly love one person.
Elinor is far more sensible and spends a great deal of her time making excuses for Marianne’s rudeness to potential beaux and well-meaning neighbours alike.
The novel begins when Mr Dashwood’s death means that the girls and their mother are forced to leave their home to allow their elder half brother and his greedy wife to move in. This reflects Austen’s own life, as she was also forced to move due to unfavourable inheritances.
Marianne finds romance with the charming Willoughby, while scorning the elder and far more steady Colonel Brandon. Elinor is left wondering if her romance with her sister in law’s brother, Edward Ferrars, was all she thought it was when she encounters a rival she never knew existed.
As always, I thoroughly enjoyed reading SENSE AND SENSIBILITY. Even though this was Austen’s very first novel, it is a delightful read. I couldn’t help but think on this reading that a lot of the problems he characters went through were very British and could have been solved with a little bit of straight talking, but their polite inability to say what they really think is one of the reasons the rest of the world loves the British so much.
I’ve made a commitment to myself to read selfishly in January. I know that I will be snowed under a pile of journal articles soon enough, so I’m doing my best to get around to all of the books that were shoved to the bottom of my TBR pile last year.
The first cab off the rank is THE LAST TUDOR by the bestselling historical fiction great, Philippa Gregory. I’ve been a big fan of Gregory’s Tudor novels ever since THE OTHER BOLEYN GIRL took the world by storm far too many years ago for my liking, and I’ve been looking forward to reading Gregory’s take on the Grey sisters for ages!
Paperback, 544 pages
Published: July 1st 2018 by Simon & Schuster UK (first published August 8th 2017)
“The latest novel from #1 New York Times bestselling author Philippa Gregory features
one of the most famous girls in history, Lady Jane Grey, and her two sisters, each of whom dared to defy her queen.
Jane Grey was queen of England for nine days. Her father and his allies crowned her instead of the dead king’s half sister Mary Tudor, who quickly mustered an army, claimed her throne, and locked Jane in the Tower of London. When Jane refused to betray her Protestant faith, Mary sent her to the executioner’s block, where Jane transformed her father’s greedy power grab into tragic martyrdom.
“Learn you to die,” was the advice Jane wrote to her younger sister Katherine, who has no intention of dying. She intends to enjoy her beauty and her youth and fall in love. But she is heir to the insecure and infertile Queen Mary and then to her half sister, Queen Elizabeth, who will never allow Katherine to marry and produce a Tudor son. When Katherine’s pregnancy betrays her secret marriage, she faces imprisonment in the Tower, only yards from her sister’s scaffold.
“Farewell, my sister,” writes Katherine to the youngest Grey sister, Mary. A beautiful dwarf, disregarded by the court, Mary keeps family secrets, especially her own, while avoiding Elizabeth’s suspicious glare. After seeing her sisters defy their queens, Mary is acutely aware of her own danger but determined to command her own life. What will happen when the last Tudor defies her ruthless and unforgiving Queen Elizabeth?”
Philippa Gregory is well-known for her historical novels focusing on the Tudor and Plantagenet families and Jane Grey is such a fascinating character of this period, so I was excited to see how she portrayed the Grey sisters.
The book is split into three sections that tell the story from the perspective of each of the Grey sisters: Jane, Katherine, and Mary. Jane is a well-known historical figure, but I have to admit that I knew very little about Kathryn and Mary going in.
The eldest sister, Jane, was proclaimed queen for nine days by her scheming family and Dudley in-laws after the death of Edward VI. She was a devout Protestant, having studied with Kathryn Parr and the great grand-daughter of Henry VII through his daughter, Mary Tudor, Queen of France.
Her reign was swiftly terminated when Mary, the eldest daughter of Henry VIII, was able to form an army and win the favour of the Privy Council. Jane was found guilty of high treason and beheaded on February 12 1554, along with her husband, father, and other key members of the plot to put Jane on the throne.
The middle Grey sister – Katherine – was forced to remain in first Queen Mary’s court, then Elizabeth’s. She has almost no family remaining, her marriage was annulled, and she is treated as a threat by both queens. If she married and had a baby boy she would have as much as a claim to the throne as Jane had before her.
While Elizabeth is busy staving of threats to her crown by her other cousins – Mary, Queen of Scots and Mary Douglas – Kathryn marries Edward Seymour in secret, and is imprisoned under house arrest once Elizabeth discovers their betrothal.
The third Grey sister – Mary – was a Little Person and the only Grey sister to survive Queen Elizabeth’s fear of a Tudor heir and have children of her own.
A lot of people complain that Gregory too often uses a writing trope ‘as you know, Bob’ where she includes too much information about story details by having characters that already know this information talk about it together.
I did notice it throughout the novel, but I don’t have an issue about it in this case. The families of this time period are complicated and confusing, and I would much prefer to have the slight irk over unrealistic dialogue than to get bogged down in figuring out who everyone is all the time.
I loved diving back into the Tudor world with Gregory, although I was sad to read that this might be her last novel that focuses on the Tudors as she is heading in a new direction now.
A hilarious and heart-warming debut that captures the dramas, delights and delirium of modern parenting. This is Marian Keyes meets Allison Pearson, with a dash of Caitlin Moran.
Going from one child to two is never all that easy for a family, but when Emma’s husband simultaneously fathers a third child three doors up the street, things get very tricky, very fast.
No longer is it enough for Emma to be the best wife and mother – now she’s trying to be the best ex-wife, and the best part-time parent to her ex’s love child, and that’s before she even thinks about adding a new bloke to the mix.
Set in an upwardly mobile, ultra-competitive suburb, this is a funny, biting, heartwarming modern comedy that looks at the roles we play, how we compete, and what happens when we dare to strive for second-best.
‘Jessica Dettmann is a fine comic writer. She has an eye for the small details, irritations and inspirations of life which coupled with a truly original turn of phrase and great way with a gag makes for sparkling and heart-warming reading.’ Ben Elton
‘Sharp and crisp and funny. I was dazzled.’ Mia Freedman
Paperback, 368 pages
Published December 17th 2018 by HarperCollins – AU
A lighthearted romantic comedy highlighting the ups and downs of modern parenthood.
HOW TO BE SECOND BEST by Jessica Dettmann examines what happens when Emma decides to be second best for a change.
She has been so busy trying to be the best at everything ever since her husband left her to start a family with another woman that she hasn’t realised just how much of a pushover she has become. By taking a step back from the competitiveness of modern parenting Emma’s life begins to fall into place, including in the romance department!
HOW TO BE SECOND BEST is a great beach read. Dettmann has hilariously captured the craziness and competitiveness of modern suburban parenthood, which is often made more difficult with mixed families. I particularly enjoyed the swimming pool scene!
The characters were incredibly well-written and I love the concept of teaching yourself how to be second best in a world where everything seems to be a competition.
Two women, two great betrayals, one path to redemption. A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell.
Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication.
When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.
Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself – questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.
From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.
“Two women, two great betrayals, one path to redemption.”
THE GIRL ON THE PAGE by Australian publishing insider, John Purcell, exposes the seedy underbelly of publishing while pondering the meaning of great literature.
Amy Winston is a hard working and hard partying young editor who made her career launch off the ground by taking an average thriller writer and turning him into a household name. She is given the unenviable task of doing the same for literary giant, Helen Owen.
Helen and her husband, Malcolm Taylor, have been at odds with each other ever since Helen undertook the huge signing bonus to write the novel Amy has been told to edit into the commercial success of the year and moved them out of the tiny flat they had shared and written literary fiction in, even sharing an office, for more than 50 years.
When Amy walks into this complicated situation and agrees to stay at Helen and Malcolm’s flat until the novel is completed she bites off far more than she bargained for and is left to question her career, her principles, and what is the meaning of great literature.
THE GIRL ON THE PAGE was far more deep and meaningful than I expected from all of the buzz surrounding it. I’ve seen/heard a lot of comparisons to the television series “YOUNGER” and while they are similar in how they take us behind the scenes of the publishing industry, I don’t think that comparison really does “THE GIRL ON THE PAGE” justice. There were plenty of gritty sex scenes and a fascinating insider’s view of the publishing industry. John Purcell’s industry insider credentials are very strong, as he is the current Director of Books at Booktopia and owned his own bookshop for many years. I particularly loved the inside joke of the title of both this novel and the fictional “GIRL ON GIRL” novel. It does seem as though every second popular book at the moment has either “girl” or “woman” in the title!
“THE GIRL ON THE PAGE” is far more gritty, fast-paced, and shocking than “YOUNGER”. It will certainly cause you to ask yourself what does great literature mean to you? I particularly loved the final pages where Malcolm discusses what great literature means to him, and couldn’t agree more with his use of Jane Austen’s “EMMA” as an example of great literature.
About the Author
While still in his twenties, John Purcell opened a second-hand bookshop in Mosman, Sydney, in which he sat for ten years reading, ranting and writing.
Since then he has written, under a pseudonym, a series of very successful novels, interviewed hundreds of writers about their work, appeared at writers’ festivals, on TV (most bizarrely in comedian Luke McGregor’s documentary Luke Warm Sex) and has been featured in prominent newspapers and magazines.
Now, as the Director of Books at booktopia.com.au, Australia’s largest online bookseller, he supports Australian writing in all its forms. He lives in Sydney with his wife, two children, three dogs, five cats, unnumbered gold fish and his overlarge book collection.
PATIENT ZERO contains nine short stories from the post-apocalyptic Project Renova world created by Terry Tyler. The year is 2024 and ‘Bat Fever’ has overtaken the UK and changed the entire world forever.
These short stories are about minor characters from the series and can be read on their own, although I think they are far more enjoyable as a companion to the Project Renova series. That way you can find out how and why Nick becomes Patient Zero…
I really enjoyed reading about some of the minor characters and found the short story format interested and a very fast read. I’m looking forward to the next full length novel of the Project Renova series that is coming out soon. 5 stars!
@TerryTyler4 on Twitter… I am a writer, with 17 books on Amazon. I’m obsessed with The Walking Dead and all things post apocalyptic, also love South Park, Game of Thrones, autumn and winter, history, and most books/films/TV series to do with war/battles/gangsters. I’m a vegan who falls off the wagon now and again. Live in the north east of England with my husband, who I love even more than Daryl Dixon.
One crumbling grand manor house, a family in decline, five generations of women, and an attic full of beautiful clothes with secrets and lies hidden in their folds. Kelly Doust, author of Precious Things, spins another warm, glamorous and romantic mystery of secrets, love, fashion, families – and how we have to trust in ourselves, even in our darkest of days. One for lovers of Kate Morton, Belinda Alexandra, Fiona McIntosh and Lucy Foley. Failed fashion designer Sylvie Dearlove is coming home to England – broke, ashamed and in disgrace – only to be told her parents are finally selling their once-grand, now crumbling country house, Bledesford, the ancestral home of the Dearlove family for countless generations. Sylvie has spent her whole life trying to escape being a Dearlove, and the pressure of belonging to a family of such headstrong, charismatic and successful women. Beset by self-doubt, she starts helping her parents prepare Bledesford for sale, when she finds in a forgotten attic a thrilling cache of old steamer trunks and tea chests full of elaborate dresses and accessories acquired from across the globe by five generations of fashionable Dearlove women. Sifting through the past, she also stumbles across a secret which has been hidden – in plain sight – for decades, a secret that will change the way she thinks about herself, her family, and her future.Romantic, warm, and glamorous, moving from Edwardian England to the London Blitz to present day London, Dressing the Dearloves is a story of corrosiveness of family secrets, the insecurities that can sabotage our best efforts, and the seductive power of dressing up.
Published August 20th 2018 by HarperCollins
ISBN 1460705645 (ISBN13: 9781460705643)
RRP $16.99 AU (Kindle) $26.99 AU (paperback)
Fabulous multi-generational fashion themed family saga! DRESSING THE DEARLOVES the second fashion themed novel by Australian author Kelly Doust, and you can really tell that she has a great love for vintage fashion and the stories they hold.
Sylvie Dearlove failed spectacularly in the cut-throat New York fashion design world. With her company bankrupt and her reputation in tatters she has no choice but to return to her family’s upper crust ancestral home in the English countryside. She is shocked to discover that Bledesford is even more run down than she remembered, her grandmother and family matriarch, Lizzie, is terribly ill and her parents seem to have no choice but to sell up and make way for boring and generic sub-divisions.
While helping her parents clean out the overflowing attic with the help of her best uni girlfriends Sylvie discovers more than just the high fashion of five generations of her enigmatic and successful female ancestors. She also stumbles across a shocking family secret that changes the way she feels about her family, what it means to be a Dearlove, and will alter her future plans irrevocably.
I loved the way that Doust tied the stories of the Dearlove ladies in with their clothing. I think it’s so true that the clothes we wear for special occasions do hold onto our stories and the way Doust writes about vintage fashion with such love is a wonderful reminder of the power of dressing up. 5 stars!
About the Author
Kelly Doust is author of the novels Dressing the Dearloves (September 2018) and Precious Things, both published by HarperCollins. Also A Life in Frocks, vintage fashion bible Minxy Vintage: how to customise & wear vintage clothing and The Crafty Minx series of craft books.
With a background in book publishing and publicity, Kelly has worked in the UK, Hong Kong and Australia, and has freelanced for Vogue, Australian Women’s Weekly and Sunday Life Magazine. She lives in Sydney with her husband and daughter, and works as a Lifestyle Publisher for Murdoch Books.