“The yield in English is the reaping, the things that man can take from the land. In the language of the Wiradjuri yield is the things you give to, the movement, the space between things: baayanha.”
Even though The Yield is my first book review of 2021 I’m quite certain that it will be the most profound and meaningful book that I will read this year. It’s a story about the Wiradjuri people’s culture, language, family, and the intergenerational trauma of colonisation in Australia.
When Albert ‘Poppy’ Gondiwindi finds out that he will die soon, he decides to record the language and everything that was ever remembered by his people, the Wiradjuri people from the banks of the Murrumby River at Prosperous House, on Massacre Plains. He knows that if he doesn’t write everything down it will be forgotten, and he’s determined to pass it down the words of his ancestors. Through Poppy’s dictionary, we are shown an extraordinarily moving and personal insight into the customs and language of the Wiradjuri People as a whole group, as well as Poppy’s immediate Gondiwindi family.
When Albert’s granddaughter, August, returns for his funeral after living on the other side of the world for ten years she discovers that their family home is about to be repossessed by a mining company. She is determined to make amends for the past events that led her to leave the country all those years ago by saving her family’s land. August’s story about returning to her family and rediscovering her connection to the land and their language and culture was also incredibly insightful, as well as being a gripping David versus Goliath story.
Interspersed throughout the novel is also the story of a 1915 missionary at Massacre Plains told in the form of a serialised letter. It tells the story of Poppy and August’s ancestors who lived on the mission at that time. While I felt like this was the driest and most tedious section of the novel, it also makes a lot of sense to have this generation of the Gondiwindi family story being told by white colonisers. The voices of so many generations of First Nations Peoples have been lost because they were unable to tell their own stories and many were prevented from passing down their stories and their culture to younger generations.
I know that I will be thinking about this book for a long time and I look forward to reading it again over the coming years. A once in a lifetime book that will change the way you think and a powerful reclamation of the Wiradjuri language. This is so important because, as the author’s note explains, Australian languages are rapidly dying out and so many essential aspects of culture are inherently tied to language.
Winner Miles Franklin Literary Award 2020
Winner of the NSW Premier’s Literary Awards 2020 – for Fiction, People’s Choice and Book of the Year.
Winner Booksellers Choice Literary Fiction Book of the Year 2020
Shortlisted The Stella Prize 2020
Shortlisted Victorian Premier’s Literary Award for Fiction 2020
Shortlisted ABIA Literary Fiction Book of the Year 2020
Shortlisted Queensland Literary Awards for Fiction 2020
Knowing that he will soon die, Albert ‘Poppy’ Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.
August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.
Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.
Published: July 2nd 2019 by Penguin Random House
Source: Own copy
Read: Paperback, January 2021
Rating: 5 stars