Rebecca’s Tale is an unauthorised sequel of Daphne du Maurier’s classic Gothic mystery. The year is 1951 and Colonel Arthur Julyan, long-time friend of the De Winter family, is still haunted by the circumstances of her death. With the help of his daughter, Ellie, and mysterious newcomer, Terance Grey, he determines to uncover the mysteries surrounding Rebecca’s death and her life before Manderlay.
The novel is told from multiple points of view, Colonel Julyan, Ellie, Terrance Grey, and Rebecca. During the course of their investigations Rebecca’s journal is discovered! Her journal details her childhood and why/how she came to marry Maxim De Winter and come to Manderlay. I loved reading from Rebecca’s point of view, even if she is proven to be an unreliable narrator, along with everybody in this story.
A lot of people have posted negative reviews of this novel. I think the biggest issue is that this version of Rebecca doesn’t match the way they see her. The author does use quite a lot of poetic license to create her version of Rebecca and the other characters. I really love this novel, though. It’s not quite as atmospheric or mysterious as the original, but it was still a very enjoyable read.
April 1951. It has been twenty years since the death of Rebecca, the hauntingly beautiful first wife of Maxim de Winter, and twenty years since Manderley, the de Winter family’s estate, was destroyed by fire. But Rebecca’s tale is just beginning.
Colonel Julyan, an old family friend, receives an anonymous package concerning Rebecca. An inquisitive young scholar named Terence Gray appears and stirs up the quiet seaside hamlet with questions about the past and the close ties he soon forges with the Colonel and his eligible daughter, Ellie. Amid bitter gossip and murky intrigue, the trio begins a search for the real Rebecca and the truth behind her mysterious death.
Title Rebecca’s Tale
Author Sally Beauman
ISBN 006117467X (ISBN13: 9780061174674)
Genre Mystery, Suspense, Historical Fiction, Gothic
Source Own Copy
My Rating 5/5 stars