Over the past few years I’ve come to to realise that I suffer from a severe case a word aversion, or logomisia if you want to be fancy. Logomisia is described as “strong dislike for a particular word (or type of word) based on its sound, meaning, usage, and/or associations.”
Here a few words and phrases that for some unknown reason I just can’t stand:
Moist: I think most people would agree with me on this one, it just sounds and is yuck.
Ointment: I think it’s because it sounds a bit like moist and also, no one wants to have to be putting ointment on themselves. It smells, it’s sticky and it means you’ve probably hurt yourself or have a skin condition.
Top Up: I don’t know why either, but say it out loud. See, it sounds weird right?
Ladle: It’s a serving spoon ok!
Touted: Every newbie and wannabe sports journalist in Australia loves this word. I think they think it makes them sound smarter, but no, it’s just annoying.
Mums and bubs: Another overused term here that makes me see red. Mother and child/baby sounds so much more appropriate and respectful to me.
Tot/Tiny Tot: Again, I think this just sounds like we’re trivialising children. They’re people, not pets!
Guesstimate: Guess and estimate mean pretty much the same things so you don’t need to squish them both together!
Amazeballs: I don’t think this needs any further explanation
Totes: If you ever try and tell me that something is “Totes Amazeballs” I don’t think it would be fair to hold me accountable for my actions.
This is just a very small selection of words and phrases that I just can’t stand, but there are definitely many more out there. If you can stand to type them out, let me know if you have any words or phrases that you just can’t stand!
I’ve had some very exciting book deliveries in the past few weeks. Nothing puts a smile on my face quite like checking my mailbox and finding a brand new book inside!
Artificial Culture by Tama Leaver was sent to me by the author for review. I’m very excited about this one since Dr Leaver is one of my lecturers at Curtin University, and I will hopefully be able to put Artificial Culture to good use over the course of my studies. Thank you very much Tama.
Artificial Culture is an examination of the articulation, construction, and representation of “the artificial” in contemporary popular cultural texts, especially science fiction films and novels. The book argues that today we live in an artificial culture due to the deep and inextricable relationship between people, our bodies, and technology at large. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which we as a culture can measure what it means to be human. Science fiction feature films and novels, and other related media, frequently and provocatively deploy ideas of the artificial in ways which the lines between people, our bodies, spaces and culture more broadly blur and, at times, dissolve.
Building on the rich foundational work on the figures of the cyborg and posthuman, this book situates the artificial in similar terms, but from a nevertheless distinctly different viewpoint. After examining ideas of the artificial as deployed in film, novels and other digital contexts, this study concludes that we are now part of an artificial culture entailing a matrix which, rather than separating minds and bodies, or humanity and the digital, reinforces the symbiotic connection between identities, bodies, and technologies.
1382. Daughter of John of Gaunt, sister to the future King Henry IV, Elizabeth of Lancaster has learned the shrewd tricks of the court from England’s most powerful men. In a time of political turmoil, allegiance to family is everything. A Plantagenet princess should never defy her father’s wishes. Yet headstrong Elizabeth refuses to bow to the fate of a strategic marriage. Rejecting her duty, Elizabeth weds the charming and ruthlessly ambitious Sir John Holland: Duke of Exeter, half-brother to King Richard II and the one man she has always wanted. But defiance can come at a price. 1399. Elizabeth’s brother Henry has seized the throne. Her husband, confident to the usurped Richard, masterminds a secret plot against the new King. Trapped in a dangerous web, Elizabeth must make a choice. Defy the King and betray her family. Or condemn her husband and send him to his death. Sister. Wife. Traitor. She holds the fate of England in her hands.
A young nurse’s body is found at Clovelly Beach in Sydney’s eastern suburbs. Apart from a puncture wound in her neck, she is in perfect condition. But she’s also clutching a rose in her hands – and there’s an empty packet of prescription drugs in her pocket.
Investigating the scene, Detective Lexie Rogers and her partner Brad Sommers know something is not right. It appears to be a staged suicide. And as they begin to dig deeper, Lexie discovers the case is too close to home.
The dead girl was a work colleague of Lexie’s ex-husband, who is now a paramedic – and she was also a friend of the woman who broke up Lexie’s marriage. Struggling as she is with her breakup with Josh Harrison, who pushed her away after the suicide of his sister, and the numbing flashbacks of the violent attacks she’s suffered in the past, Lexie throws herself into the case. When she’s handed the lead on the investigation, Lexie sets out to solve the murder and prove she’s up to the job.
When Lexie’s ex-husband becomes a suspect, she refuses to believe it. It also becomes startlingly clear there are similarities in the deaths of Josh’s sister and the murder victim. But when Lexie determines a link between the women and a doctor working at the same hospital, he becomes her main suspect, fuelled by her discovery of a prescription drug racket.
Just when Lexie is beginning to make headway on the case, Josh turns up. He’s determined to find out what happened to his sister – and he also wants Lexie back.
Piecing together the identity of the killer with the help of her old bikie friend, Rex Donaldson, Lexie and her colleagues set a trap in an ambitious police operation. But there’s a big difference between naming a suspect and catching a killer, and Lexie’s about to find out just how deep some grudges can go.
Published: December 1st 2014 by HarperCollins Publishers Australia
Genre: Romance, ChickLit, Romantic Comedy
My Rating: 4/5 stars
Clementine, a psychologist specialising in couples counselling, is reeling from the discovery that her boyfriend is married. Annabel, an ex-model, only seems to attract men who want her as a trophy. Daniela, a civil engineer, is stuck in the friendzone.
Abandoning the romantic notions of true love that haven’t worked out for them, the three decide to use their considerable professional skills to find a partner. This isn’t about hearts and flowers; it’s about being practical.
Warm and witty, Husband Hunters is about what happens when you try to engineer love.
I received my copy from Netgalley in exchange for an honest review
Husband Hunters by Genevieve Gannon is a refreshingly funny and honest romantic comedy about three school friends, Clementine, Annabel and Daniela, who reunite at a friend’s wedding. They decide that they are sick of being single and it’s time for them to get serious about finding husbands so they from the Husband Hunters, a club dedicated to finding each one a suitable husband.
The story is told from the POV of each of the three members of Husband Hunters, which I thought worked really well. Being able to read about each one from the others’ perspective means that you really get to know each them much better than if you were only getting one side of the story.
I really enjoyed reading Husband Hunters. There is plenty of romance, lots of laughs and well-developed and likable characters.
Out of the Light of Darkness is a compelling collection of short stories that deal with ephemeral moments, unforgettable relationships, and death. The longest story, a novella, tells the story of a teen trying to understand and find good in his father. Readers will be pulled into the story as they see Matty struggle to see light in a man who is shrouded by darkness.
Out of the Light of Darkness by E M Donnelly is a collection of short stories about life, ephemeral moments, relationships and death.
The longest short story is also titled Out of the Light of Darkness and is a short glimpse into 17 year old Matty’s life and his relationships with his alcoholic father, long suffering mother, sullen sister, trouble-making best friend and his girlfriend, Laura who is always trying to lighten him up a little. I really enjoyed this story, it is quite dark, but also raw and the character’s were very authentic.
The shorter stories were almost dream like. It felt like I just happened to turn up at specific moments and the author chose to reveal a brief snapshot in time. Just the right amount of detail and imagery, but left plenty to the imagination.
I’m terribly late with this post, but I hope you can forgive me for being a little bit absent minded for the next month or so. I’m heading into the last few weeks of this semester at uni, so things are about to get even more crazier here for the next few weeks while I’m madly writing essays and studying for exams. This semester has been my most difficult one so far, mostly because it ran right over Christmas. Christmas and uni don’t go together very well I’m afraid, but at least I’ve managed to hold in there and get everything handed in on time so far.
And then I finished up with a big rant about Colleen McCullough’s awful obituary in The Australian. Twice! Sorry guys, I don’t usually rant much, I promise.Thank you so much for restoring my faith in humanity with so many lovely and supportive comments though.
I still have a few more books to go on my previous reading list, and I’ll update and add a few more in the next few days that will be coming up soon on Scatterbooker.
Last week I wrote about how horrified I was to read the obituary of Australian author, Colleen McCullough, in The Australian newspaper which basically pointed out that she was fat, but had a nice personality here.
Here is is again for those who missed it:
COLLEEN McCullough, Australia’s best selling author, was a charmer. Plain of feature, and certainly overweight, she was, nevertheless, a woman of wit and warmth. In one interview, she said: “I’ve never been into clothes or figure and the interesting thing is I never had any trouble attracting men.”
Andhere is the full link which is still online. There has been no apology or retraction from the Australian, however, they have also published several more appropriate obituaries for Colleen, including this oneby Stephen Romei,
The independent media outlet, Crikey,claims that the offending obituary was written many years ago by an anonymous staff obituary writer who has since passed away and somehow managed to slip past the editor in their rush to print the story. News of Colleen’s death reached newsrooms extremely close to their print newspaper deadline. How inconsiderate of her!
Considering the tight deadline, I can imagine that this may be true. Perhaps the obituary writer was asked to get started on Colleen’s file sometime in the 70’s or 80’s at the height of her success. (How creepy!)The writer was a bit peeved at her at the time for any number of reasons and assumed that since it wouldn’t be needed for a long time there was no fear of it actually being published.
This should serve as your number one lesson on why editing is vital, always. No matter what you’re writing or who you work for, YOU MUST EDIT AND PROOFREAD YOUR WORK. And the work of everyone else associated with you. At least three times. Being in a rush to publish is no excuse for not bothering to at least triple check the actual content of what you’re publishing.
And this excuse doesn’t make it any less offensive though. Sadly in Australia this is something that happens often to celebrities, especially female ones, and definitely outspoken female ones. We even have a name for it, tall poppy syndrome, which basically means that if someone seems to be getting a bit too big for their boots it suddenly becomes everybody’s job to bring them down a peg or two.
As several of the wonderful people who commented on my original post, on social media, and in other news outlets have pointed out, the most offensive word is actually the ‘nevertheless.’ As if being overweight and female and witty and warm were mutually exclusive. Many have pointed out that the physical features of males are rarely mentioned in their obituaries.
But my favourite response has come from Twitter and the hashtag #myozobituarywhere Twitter users decided to imagine what their own backhanded obituary might be like.
‘Spotty of chin and wide of thigh, she nonetheless summoned the courage to leave the house and do things.’ #myozobituary
I could go on and on for days, but I’ll stop now at this risk of being repetitive. But thank you Twitter, this response was perfect. Colleen would have gotten an enormous laugh out of each and every one.
My Oz Obituary would probably read something like this:
She was certainly a bit fat, wore glasses (four eyes) and had really frizzy and untidy looking hair, nevertheless, she still managed to hold onto at least one man and was pretty ok most of the time. For a girl.
What do you you think your Oz Obituary might be like?